Isao Takahata

 ( 1935 Births ) 

Takahata graduated from the University of Tokyo in 1959 with a degree in French literature. During this time at the school, he had seen the French film Le Roi et l'Oiseau ( The King and the Mockingbird), which led him to become interested in animation. Takahata was more interested in animation as a medium, and wanted to write and direct for animated works rather than create animations himself. A friend suggested he apply for a directing job at Toei Animation; Takahata passed their entrance exam, and was hired as an assistant director for several of Toei's animated television shows and films—including Wolf Boy Ken, on which he was mentored by Yasuo Ōtsuka. Ōtsuka eventually asked Takahata to direct an animated feature film of his own; his directorial debut was The Great Adventure of Horus, Prince of the Sun (1968). Ōtsuka served as Animation Director on the film, while another Toei employee, Hayao Miyazaki, served as key animator. Though it would later be recognized as one of the first defining works of modern Japanese animation, the film was a commercial failure, and Takahata was demoted.

Unable to further improve his standing at Toei, Takahata left the studio in 1971, along with Miyazaki and Yōichi Kotabe. Takahata and Miyazaki came up with the idea of creating an animated feature film based on the stories of Pippi Longstocking. They developed the idea along with "A Production", an animated studio formed by another former Toei animator, Daikichiro Kusube (the company became Shin-Ei Animation). Takahata and Miyazaki had developed a number of storyboards and had flown out to Sweden for location shots, to meet with the books' author, Astrid Lindgren, and secure the rights for the character. However they could not reach an agreement with the rightsholders, and were forced to drop the project. Takahata and Miyazaki remained collaborators in several other animation projects through the 1970s, including taking over production of the anime series Lupin III at Ōtsuka's request, due to its poor ratings. They also made Panda! Go, Panda! for TMS around this time, which utilized some of the designs and concepts developed for the Longstocking project.

Not long afterward, Takahata, Kotabe, and Miyazaki were approached by the studio Zuiyo Enterprise to create an animated series based on the novel Heidi, which resulted in Heidi, Girl of the Alps (this also incorporated some of their work from the Pippi Longstocking concept). The animation production section of Zuiyo was established as a subsidiary company named Zuiyo Eizo, later becoming Nippon Animation, which Takahata and Miyazaki joined. Takahata continued to work at Nippon for about a decade; his work there included a World Masterpiece Theater adaptation of Anne of Green Gables in 1979, another project which had thematic similarities with the Pippi Longstocking concept.

Around 1981, Takahata left Nippon to join Telecom Animation Film Co., Ltd. (a subsidiary of Tokyo Movie Shinsha or TMS Entertainment), where he led production of an animated feature based on the manga Jarinko Chie, and a Jarinko Chie. Around 1982, Telecom came up with the idea of an animated feature film which adapted the Little Nemo comic, which was to feature joint direction between Japanese and American animation techniques. While both Takahata and Miyazaki were originally involved, they opted to leave the project and Telecom itself due to discord between the Japanese and American project directions.